Luigi Garlaschelli, who in 2010 claimed to have reproduced a perfect copy of the Shroud, thereby proving that it is a fake. There are sufficient articles (again, on www.shroud.com) expressing valid

they turned to Prof. Luigi Garlaschelli to put forward his medieval forger theory; Prof. Nicholas Allen to have another go at his medieval photographic theory (with a twist), and Barrie to advance his

by Marco Bella, Luigi Garlaschelli, Roberto Samperia - Science Direct, Thermochimica Acta Volume 617, 10 October 2015, Pages 169–171 - Abstract only. Here is the abstract: This is an editorial regarding

RECONSTRUCT THE CRUCIFIXION PRACTICE L. Garlaschelli, M. Borrini in Proceedings of the American Academy of Forensic Sciences Review by Hugh Farey ! This was a very simple presentation of impeccable

Matteo Borrini and Luigi Garlaschelli. The latter's name will be familiar to many of you since he has been an avowed and public Shroud skeptic for at least ten years. Since their work had received major

Marco Bella, Luigi Garlaschelli, Roberto Samperi in Thermochimica Acta, Vol. 617, October 2015 ! Rather cheekily published in the Journal founded by the author whose paper they refute, the authors

Nicholas Allen and Luigi Garlaschelli! In a special March 5, 2015 website update, I also wrote and published an article titled, A Brief Review of the Recent CNN Documentary and Further Comments on

Aldo Guerreschi, Ray Downing, Luigi Garlaschelli, Andrey Ivanov (Russian scientist), Alexei Lidov (Director of the Center of Eastern Christian culture), Nikas Safronov (noted portrait painter) and Barrie

How the Shroud Was Made, According to Luigi Garlaschelli - Introduction by Mark Guscin The Holy Face of Jesus based on the Shroud by the artist Jan Marinus Reijnierse - by Mark Guscin Letters to the

Bresee, Isabel Piczek, Ian Dickinson, Luigi Garlaschelli, Franco Ramaccini and Sergio Della Sala and many more. Our sincerest thanks as always to Stephen Jones for his extraordinary effort in scanning